Bach gives this text to the soprano three times, and to give it extra emphasis, each time omits all instrumental accompaniment on those three words. The performances are at seven different venues. Read for example about the four (!) Yet along with the musicians, its artistic director Jos van Veldhoven is still continually in search of contemporary ways of presenting this music, whether it be the traditional . In the category most interactive creation I would like to mention the St. John Passion by Zing als vanZelf. Read more Support All of Bach. Why this stress on chorales? Leave it to AlexPotter. Posted by cantatasonmymind in After Easter, Cantatas, Leipzig, 5th Sunday after Easter, BWV 86, Daniel Johannsen, Marion Strijk, Netherlands Bach Society, Robin Blaze, Rogate Sunday, roses, Shunske Sato, Stephan MacLeod, Westerland. Dorothee Mields (soprano) Johannette Zomer (soprano) Matthew White (alto) Charles Daniels (tenor) Peter Harvey (bass (. 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I dont know whether Bachs Ruht wohl, ihr heiligen Gebeine closing chorus of the St. John Passion had anything to do with Telemanns Schlaft wohl, ihr seligen Gebeine closing chorus in Du Daniel gehe hin, but it does look to me as if Bach borrowed the music of the soprano aria fromDu Daniel gehe hin for the duet of Cantata 99. ** Find the video of the entire organ prelude (BWV 727) here. Watch it here. I loved how Max van Egmond sings the Wer bist du? text on the Leonhardt recording from 1983. In the center of the cantata, after the festivities of the opening chorus, but before the very pretty Christmas-y Glory to God in the highest soprano-tenor duet, and an impressive bass aria with trumpet, the music goes into a minor key, and also turns inward, in the alto aria. I used to have my biggest bouts of homesickness around that time of year. The top three, in my humble opinion, are here, here, and here. Recorded for the project All of Bach on 2 March 2020 in Akoesticum, Ede. I had no idea at the time that in those very cool opening notes Bach is quoting this organ piece by Buxtehude. A lot more information, including the German text with English translations, a list of all participating instrumentalists, the staff that made this beautiful document possible, and a short but insightful interview (in text only) with organist Leo van Doeselaar, can be found here on AllofBach. bach partita allemande flute. windows 10 search bar picture; spring-boot jersey maven; pico trading glassdoor; sao paulo vs goianiense prediction; look for and express regularity in repeated reasoning examples BACH: Mass in B minor - The Netherlands Bach Society/ Jos van Veldhoven, conductor/ Dorothee Mields, soprano/ Johannette Zomer, soprano/ Matthew White, alto/ Charles Daniels, tenor/ Peter Harvey, bass - Channel Classics multichannel SACD CCS SA 25007 (2 discs), 53:30 & 52:45 ****1/2 {Distr. And while in 2017 I still had to piece together my favorite recording of Cantata 86 from some of Gardiners and some of Koopmans, there now is the fabulous live recording of the Netherlands Bach Society on YouTube, published on September 7, 2018. There could be a simple reason for this unusual choice: showing off his flute player (read more about him in this post). We need your help to ensure that we can continue to record Bach's works during the corona crisis. Cantata 132 was not transformed into a cantata for another time in the church year in Leipzig, so todays performances of this cantata still reflect the Advent cantata from Weimar. Posted by cantatasonmymind in Advent, Cantatas, Leipzig, Trinity, Weimar, 16th Sunday after Trinity, Alex Potter, All of Bach, All Souls, Bachvereniging, BWV 161, BWV 36, Grote Kerk Naarden, Hans van der Woerd, Marco Borggreve, Netherlands Bach Society, Nieuwe Kerk Den Haag, Shunske Sato, St. Matthew Passion, The Hague, Thomas Hobbs, Zsuzi Tth. 01, BWV 1-20 | Johann Sebastian Bach por Ruth Holton - Baixe e escute o lbum . Theres a wonderful live performance of Cantata 9 on YouTube, by the J.S. ** Performers in the YouTube recordings of cantata/oratorio movements with recorders are: Credits for YouTube recordings linked above: Opening movement of Cantata 106: Netherlands Bach Society; Jos van Veldhoven, conductor; Heiko ter Schegget and Benny Aghassi, recorders; Dorothee Mields, soprano; Alex Potter, alto; Charles Daniels, tenor; Tobias Berndt, bass. Find the German text with English translations here, and the score here. I had been unsure how to talk about these concerts in the framework of this blog, especially now that its more than a month ago and were in Advent already (yes there is Advent music in this post, please keep reading) and there is no recording of these concerts. Update from 2021: there now is an extremely inspired Herreweghe recording with Dorothee Mields and Alex Potter singing this opening movement together, i.e. Has played with the Netherlands Bach Society since 1992. So Bachs last music had to be as memorable as possible, had to give them hope, and ideally also prepare them for the St. Matthew Passion they would get to hear on Good Friday. Watch it here. It even has two of my heros in the alto aria: Shunske Sato on violin and Robin Blaze singing countertenor. Professor at the University of Berlin and plays chamber music a Got her Bachelors degree in The Hague and is now studying at the Hochschule fr Musik in Stuttgart. The St. John Passion (1725 version) by the Netherlands Bach Society under the direction of Ren Jacobs, It is NOT O Haupt! J.S. After a speaking sinfonia, the soprano sings the first half of the text in continuous dialogue with the strings; the last line, ruhen bis am jngsten Tage [to rest until the final day] is then illustrated in a static instrumental interlude. O anima festina, for soprano, alto, tenor, bass, 2 violins, cello & continuo (formerly attrib. Bach - The Apocalypse: 'the opera that Bach never wrote'.A successor of Vivaldi - Dangerous Liaisons, the 'new baroque opera' by both partners, that was enthusiastically received by audience and press in 2019.In the words of the opera critic of Dutch newspaper the Volkskrant . I remember how happy and impressed I was when I first found this video. Prices and ranks. Pay attention to the recorder parts in the opening movement. For a wonderful example of this version, listen to Herreweghes recording here on YouTube, or here on Spotify. Love this track Set track as current . Has played violin from the age of two and is one of the best violinists of his generation. Find the text with English translations here, and the score here. Today Id love to share Cantata 110 Unser Mund sei voll Lachens (May our mouth be full of laughter) from 1725. You can find most of them by typing Alex Potter into the search bar at the top of this post. Johann Sebastian Bach. Over 35% of the NativeDSD Music catalog areDSD or DXDAlbums that are not available on SACD. Music for the Peace of Netherlands Bach Society. But please note, it is all in Dutch. If you are not following this blog yet, please consider signing up (on the left of this text if you are on a desktop computer, at the bottom of this post when you are reading on a smartphone). Find the latest, bestselling, and rare albums performed by Netherlands Bach Society at Alibris. Luca Caihuela mezzo-soprano Christopher Ainslie alto Benedict Hymas tenor Wolf Matthias Friedrich bas Works. They then recorded a performance with professional soloists singing the arias and the choruses with the excellent Combattimento Consort (Cynthia Miller Freivogel, concertmaster) as the orchestra, this all under the direction of Pieter Dirksen. Soloists are Julia Doyle, soprano; Tim Mead, alto; Jan Kobow, tenor; and Dominik Wrner, bass. Graduated cum laude from Utrechts Conservatorium and teaches bassoon in Amsterdam and Bremen. to Carissimi) Johann Hugo von Wilderer. Regular cellist with the Netherlands Bach Society. One of Bachs reasons for these performances was his search for a more permanent home . Welcome. 4 in D major (BWV 1069) to grandly illustrate the arrival of Jesus. Has regularly worked with the Netherlands Bach Society since 1998. Telemanns beautiful cantata is not widely known today, but must have been rather famous among Telemanns colleagues in the first half of the 18th century. 02, BWV 21-40 Ruth Holton, Marjon Strijk, Knut Schoch, Marcel Beekman, Nico van der Meel, Sytse Buwalda, Bas Ramselaar, Holland Boys Choir, Netherlands Bach Collegium & Pieter Jan Leusink. Happy learning and listening! Artistic director. Soloists are Daniel Johannsen, tenor (Evangelist); Johannes Kammler, bass (Christ); Robin Johannsen, soprano; Alberto Migulez Rouco, countertenor; Thomas Hobbs, tenor; and Arttu Kataja, bass. In this short documentary, musicians from the Netherlands Bach Society explain what is involved in playing in a basso continuo group and they illustrate this with examples. When the price category 'Online sprint tot 30 jaar' is available, you can order 1 ticket 4 hours before the start of a concert. Bach and his contemporaries and predecessors. Soprano:Miriam Feuersinger; Alto:Alex Potter; Tenor:Thomas Hobbs; Bass:Stephan MacLeod. Bradley Lehman wrote (March 21, 2006): The Netherlands Bach Society will be performing the St Matthew Passion twelve times between March 30th and April 15 th this year. Bachs later Leipzig solution: He replaced the organ part with a soprano part, using the first verse of Herzlich tut mich verlangen. Over the years, the Bach Society grew to become a leading ensemble with a flexible core of musicians. Bachs first two cycles in Leipzig didnt include a cantata for this Sunday (the 6th after Trinity). Watch this 3-minute explanation by organist Matthias Havinga on how earthly misery gets replaced by heavenly paradise in the chorale prelude (BWV 727) of the same name, also written in Weimar. Teacher at the Conservatorium van Amsterdam. Along with Messiah and L'Enfance du Christ it forms the base of Christmas season music (although the .
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